Geoffrey Gee makes music in the moment for the moment.  Every performance is unique--a structured, spontaneous response to the time and place of his playing.  His fluency in a wide range of styles and his willingness to be open in the present draw listeners into his creative process.  Whether playing for a large concert audience, an intimate club crowd, or students in a classroom, this kinetic performer offers a memorable experience of music-making that inspires listeners to make their own.
 
KEYBOARD MAGAZINE hailed Mr. Gee's music as "serious, passionate solo piano, beautifully recorded and very listenable... the sense of rubato and the touch have a classical inspiration - Satie in the more withdrawn moments, Moussorgsky in the darker rumbles." His playing has won the attention and praise of such notable pianists as Patrick Moraz (Yes, Moody Blues) and Lyle Mays (Pat Metheny Group). His solo appearances include major concerts at Harvard University, Berklee College of Music, and Scullers Jazz Club in Boston.  As a side musician and clinician, he has performed across the United States, and in eighteen countries around the world.
 
Gee is also an established sound designer, responsible for voicing many of the sounds found in acclaimed professional synthesizers, digital pianos and software instruments from companies such as Synthogy and Sonivox and Kurzweil. His own software instrument Plectrum has been embraced by keyboardists and composers around the world for its beautiful acoustic timbres and playable voicing. Emmy-winning composer Joel McNeely called it “simply the most musical and interesting set of samples that I have ever used.”
 
He has held faculty positions at Berklee College of Music, North Reading Public Schools, the Center for Arts and Education in New York State, and is currently Director of Upper School Music at Long Trail School, an International Baccalaureate school in Dorset, Vermont.

To inquire about booking Geoffrey for a performance, workshop, masterclass, or event, please email here.